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Between the fiasco that was buying tickets to The Eras Tour and a couple days out of town, putting my thoughts into words about music hasn't been the easiest to get to over the past week or so. But, in true me-fashion, I've continued listening to music in that time away.




As I packed for my trip to New York City this weekend, I listened to two different Mariah Carey albums-- first up, Emotions. If anyone recalls, I was pleasantly caught off guard by how much I adored her debut album, and Emotions continues her streak of near-perfect R&B/pop albums.





Stand-out tracks: "Emotions" "Till the End of Time"
My favorites: "Can't Let Go" "You're So Cold"

Mariah kicks off this album hard with a track that so easily gets stuck in your head with titletrack "Emotions"-- this one is fun and shows off her vocal talent, picking right up where she left off with Mariah Carey. She turns down the fun pretty quickly moving into both "And Don't You Remember" and "Can't Let Go" but her gorgeous wailing vocals above a ballad-y, sparse instrumental (with fun little 90s pop beats thrown in there to make it interesting) accurately conveys that range of emotions she was getting at with the album title. She hits her power streak with "If It's Over" and "You're So Cold," the first being arguably the biggest power ballad on this album and the second being the sassiest track of them all. The album leaves you with the happiest, most optimistic, heartfelt string of songs with R&B/dance-influenced "To Be Around You" and the wistful "Till the End of Time." I honestly wish "Till the End of Time" was the album closer, because "The Wind" closes the album without much interest with sparse piano and angelic-but-basic vocals-- the best thing about it is if you listen on repeat, "Emotions" opens the album again with a nice punch.


While her debut was hard to top, Mariah Carey made a valiant effort with Emotions. We see her stunning vocals more in their raw, dare I say emotional lens than we saw on Mariah Carey. This album is a little less cohesive than her debut, but I can definitely appreciate the theme of emotions that is definitely present across the full album.


AM I OBSESSED?

RATING:

OBSESSED WITH SOME TRACKS



While Taylor Swift has become known for re-recording her early albums to own her own work, JoJo did it first back in 2018 with her debut album and The High Road (I, of course, listened to the re-recorded version).


I remember checking out The High Road from my library after watching JoJo in Aquamarine and playing it on repeat in my first-ever walkman. This album has stood the test of time and has made it to me streaming it through Spotify and AirPods sixteen years after it released. So it's safe to say I'm a pretty big fan of this album.



The fact that JoJo first put out The High Road at 15 years old is jaw-dropping, not only because of her mature vocals but the quality of the album as a whole. It goes well beyond anything any Disney teen has ever released. It's R&B pop influences, sky high vocals, and range of musical sounds would be impressive for a well established artist, much less one barely of high school age.

Stand out tracks: "Too Little Too Late" "The High Road" "Note to God"
My favorites: "This Time" "Coming for You"

JoJo kicks off this album with two upbeat, hip-hoppy songs in "This Time" and "The Way You Do Me." JoJo really hits her stride with her biggest hit "Too Little Too Late" (which honestly continues to hit has hard as it did back in 2006) into title track "The High Road;" JoJo's vocals are killer across this album, but these two songs are her at her absolute best. The 2000s-R&B influences kick in in the middle of the album with "Anything," "Like That" and "Good Ol'"-- these are fun songs, but nothing all that special. I've been thoroughly obsessed with "Coming for You" since I was 8 years old and it remains gorgeously hopeful and pining at the same time. The album closes with pared-back, emotional "Note to God," which again puts JoJo's stunning vocal range on full display in a way that will give you chills (and again, she put this dynamic of a song out at fifteen? ).


JoJo's early music is undoubtedly an underrated gem of the early 2000s, and it gained new power with her re-releasing them in 2018. The High Road is an album of sassy, emotional R&B/pop brought to a whole new level with one of the most dynamic voices in the business.


AM I OBSESSED?

RATING:

FULLY OBSESSED





I vividly remember the waves that The 1975 made with their self titled 2013 album. In a time when social media was on the rise, this album and its songs were everywhere on platforms like Pinterest and Tumblr. The album aesthetic was cool and edgy, the music was easy to listen to, and as an album, The 1975 is near perfect.



I listened to this album back when it was first released a fair amount, but it's faded from my album library over time. Coming back to it reminded me of just how unique, grungy, catchy, and skipless The 1975 is.


Stand out tracks: "Chocolate" "Settle Down"
My favorites: "The City" "Pressure"

I could do a deep dive into every track on this album, but they're all so ridiculously good and cohesive and catchy that I would advise you to just give this album a listen yourself. "The City" catches your attention right away with it's commanding drums and boppy hook. "Chocolate," "Heart Out," and "Settle Down" are among the stars of tracks with get-stuck-in-your-head choruses, electronic influences, and irresistible guitars. Interludes like "An Encounter," "The 1975," and the beginning of "Menswear" divide this album almost into acts, which makes the listening experience all the more cinematic in a sense. The album closes with the pared down ballad "Is There Somebody Who Can Watch You," which mimics closing credits to this album and the story it tells across the whole piece of work.


No one was doing it quite like The 1975 in 2013, and I have yet to come across a band that has a sound quite like theirs. And with a 16-track debut album as good as The 1975, I'll be coming back for more from this band going forward.


AM I OBSESSED?

RATING:

FULLY OBSESSED



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